A story, a work of art, a face, a designed object — how do we tell that something is beautiful? And why does it matter so much to us? Designer Richard Seymour explores our response to beauty and the surprising power of objects that exhibit it.
Cameron Russell admits she won "a genetic lottery": She's tall, pretty and an underwear model. But don't judge her by her looks. In this fearless talk, she takes a wry look at the industry that had her looking highly seductive at barely 16 years old.
Denis Dutton has a provocative theory on beauty — that art, music and other beautiful things, far from being simply "in the eye of the beholder," are a core part of human nature with deep evolutionary origins.
"Beauty draws us in. We can't stop looking or listening or touching. It takes us outside ourselves and it motivates us. It's essential to life and to happiness." — Nancy Etcoff
Beauty surrounds us, draws us in, gives joy and creates conflict. In this hour, TED speakers conjure up beauty both ancient and modern, and suggest reasons why humans are hardwired to crave and respond to beauty.
Originally published on Fri April 19, 2013 3:42 pm
The advent of bebop added a fresh sound to American music. It also added new voices to some metropolitan radio stations: the late-night jazz DJs who specialized in presenting this new music to their fellow hipster nightflies.
To recognize the work of the groundbreaking DJs who lent them critical exposure, jazz musicians of the period would occasionally write songs in their honor. Here are five of those songs.
Originally published on Thu September 26, 2013 1:00 pm
Money Jungle has a story.One day in 1962, Duke Ellington, Charles Mingus and Max Roach recorded an album and gave it that provocative title. The repertoire was new blues by Ellington, who was in his 60s, while Roach and Mingus were each about 40.
Oklahoma Contemporary displays Bryan Adams’ “Exposed” exhibit through May 17. Adams may be best known for “Summer of ‘69” or “(Everything I Do) I Do It For You,” but over the past 12 years, he has also worked as a photographer.
This week — when many of us at NPR rushed to file our U.S. federal income-tax returns, then moved to a new headquarters — I'm reminded of a moment in jazz history. Namely, the mid-1940s, when a new style called bebop came into popularity.