Comedian George Carlin liked to say that art doesn't have a finish line. The trio behind Ghost Brothers of Darkland County are the embodiment of that idea. Each is a superstar in his chosen field: rock music legend, best-selling novelist, record producer — trades they could have been content to pursue to the grave. Instead, they went and wrote a musical together, 13 years in the making.
Throughout the entertainment industry, alumni of a tiny, vocational high school program are at work: building sets in Hollywood, mixing sound on Broadway, performing on TV shows like The Office. They're graduates of the Addison Repertory Theater (A.R.T.), an incubator for actors and theater technicians at the Hannaford Career Center in Middlebury, Vt.
Originally published on Thu June 13, 2013 12:50 pm
Clarinetist and saxophone player Don Byron has a way of homing in on a departed artist's legacy and transforming it with intelligence and adventure. Having already dedicated albums to klezmer clarinetist Mickey Katz, the great saxophonist Lester Young circa 1946 and R&B saxophonist Junior Walker, Byron and his latest project take after the legacy of classic gospel music, primarily that of composer Thomas A. Dorsey and singer Sister Rosetta Tharpe.
“I was flying across the country, from the east coast to the west coast, as it was happening. So, I actually did not know what was going on until we landed,” says musician Kenny Wayne Shepherd recalling the day a massive EF5 tornado devastated Moore, Oklahoma.
Actor and singer Cheyenne Jackson is equally at home on Broadway and in front of the camera. He made his Broadway debut as the understudy for both male leads in Thoroughly Modern Millie, and his cabaret debut, a one-man show titled Back to the Start, was a sold-out hit. His love of music comes from digging through vinyl at yard sales around his family farm in Idaho, and his love of Broadway comes from the time he saw a touring production of Les Miserables in Spokane, Wash., with his French teacher.
Keyboardist, composer, arranger and bandleader Clare Fischer was known for his versatile and deft touch with everything from classical to jazz to Latin and Brazilian music. He began his career after earning his Master's degree in composition from Michigan State University, where he worked as a pianist and conductor for the vocal group The Hi-Lo's. After working with The Hi-Lo's for five years, he went on to work with Dizzy Gillespie and Donald Byrd.
The U.S. considers jazz a national treasure. But its core audience has been gradually shrinking — and aging.
Grammy-winning bassist Christian McBride has been trying to stem that tide by looking at the form in a different way. He tells Tell Me More guest host Celeste Headlee where he thinks jazz should go to reach its audience, and offers his personal insight with regard to how artists should take it from here.
The pianist Mulgrew Miller died on May 29, 2013, following a cerebral hemorrhage. The jazz world is grieving the loss of this "wonderful musician and great spirit," in the words of fellow pianist Kenny Barron. As saxophonist Loren Schoenberg so aptly says, "Mulgrew could levitate a bandstand."
The intersection of tradition and culture is where you’ll find this week’s OneSix8 offerings. And what a crossroads it is! In fact, the coming 168 hours could mark the best timespan this year for taking in film, art, dance, and music in a distinctively Oklahoma fashion.
Among the vestment racks, satchel purveyors and art galleries of New York's SoHo neighborhood lies a small merchant unlike its neighbors. It's called The Evolution Store, and it peddles, um, natural-history collectibles. You know, preserved insects, taxidermy, skulls and bones, remnants of marine creatures. It's as if a museum ran out of space and started putting its sloths and tarantulas in the gift shop.
Naturally, our video producers saw it and thought: Obviously, we need to record there.