Ken Tucker

Daft Punk: Accessing Electronic Music's Humanity

Ken Tucker — Wed, 22 May 2013 15:14:00 +0000

I freely admit that, until the new Random Access Memories, I wasn't much of a Daft Punk fan. I could appreciate the craft and imagination that went into creating the French duo's mixture of electronic genres — techno, house, disco — but the mechanical repetitions and heavily filtered vocals didn't turn me on in any other way.

But now, Thomas Bangalter and Guy-Manuel de Homem-Christo have come up with an album that exposes the human side of their musical impulses.

Dawes Knows Where It's Been And Where It's Headed

Ken Tucker — Tue, 14 May 2013 16:07:00 +0000

If you heard the Dawes song "Just Beneath the Surface" and said, "Somebody's been listening to their old Jackson Browne albums," you're not exactly insulting Dawes. The band has actually backed Browne on tour — and Browne has sung backup on at least one of its songs — so you could say that Dawes comes by its riffs and phrasing honestly.

Natalie Maines: A Country-Music Rebel Rocks On Her Own

Ken Tucker — Wed, 08 May 2013 15:30:00 +0000

Natalie Maines doesn't hesitate to make audacious moves, and wresting away "Mother" — Roger Waters' hymn to oppressive maternal authority figures from Pink Floyd — is the biggest one on her first solo album. Maines takes the "Mother" from Pink Floyd's The Wall and deconstructs it, emotional brick by emotional brick.

Caitlin Rose: A Singer Grounded In The Details Of Yearning

Ken Tucker — Mon, 06 May 2013 15:39:00 +0000

"Pink Champagne," a song on Caitlin Rose's second album The Stand-In, presents Rose's voice in its sparest purity and veiled shrewdness. She sends her voice skyward, the notes as buoyant and light as the bubbles of the pink champagne she's singing about. Her high trills could, with only a slight shift in tone and attitude, become self-conscious with a Betty Boop coyness, as they do once or twice on The Stand-In.

Brad Paisley's 'Wheelhouse' Of Good Songs — And Intentions

Ken Tucker — Wed, 17 Apr 2013 15:52:00 +0000

Brad Paisley's Wheelhouse is yet another very good album from a singer, songwriter and guitarist who's made a bunch of them in a row. It features a slew of shrewd songs about finding pleasure and comfort in a frequently unpleasant, uncomfortable world.

Kacey Musgraves: Country's Blunt And Poetic New Voice

Ken Tucker — Tue, 02 Apr 2013 18:25:00 +0000

Kacey Musgraves is something of an anomaly. A Texas native in her mid-20s, she fits most easily into the contemporary "country" category, but the work she co-writes with a variety of collaborators is really a throwback to an earlier era of singer-songwriters — as much influenced by rock and folk as by country.

Justin Timberlake Returns To Music With Enthusiasm and 'Experience'

Ken Tucker — Tue, 19 Mar 2013 17:17:00 +0000

The orchestral swirls, the transition to a soul-man groove, the falsetto croon — there you have some of the key elements to Justin Timberlake's album The 20/20 Experience.

Tegan And Sara Reach Out To New Audiences With 'Heartthrob'

Ken Tucker — Mon, 11 Mar 2013 16:52:00 +0000

http://www.youtube.com/watch?v=9e9NSMY8QiQ

David Bowie Awakens To 'The Next Day' Of His Career

Ken Tucker — Thu, 07 Mar 2013 17:33:00 +0000

http://www.youtube.com/watch?v=gH7dMBcg-gE

Ashley Monroe Is 'Like A Rose,' Briars And All

Ken Tucker — Tue, 05 Mar 2013 17:37:00 +0000

The high lonesome sound of Ashley Monroe's Tennessee voice in "Like a Rose" serves as a clear signal that she's working within a tradition that extends back well beyond her twentysomething years on Earth. One of Monroe's collaborators in that song was Guy Clark, a seventysomething Texas country veteran who's often too tough-guy romantic for his own good.