Alan Cheuse

Alan Cheuse has been reviewing books on All Things Considered since the 1980s. His challenge is to make each two-minute review as fresh and interesting as possible while focusing on the essence of the book itself.

Formally trained as a literary scholar, Cheuse writes fiction and novels and publishes short stories. He is the author of five novels, five collections of short stories and novellas, and the memoir Fall Out of Heaven. His prize-winning novel To Catch the Lightning is an exploration of the intertwined plights of real-life frontier photographer Edward Curtis and the American Indian. His latest work of book-length fiction is the novel Song of Slaves in the Desert, which tells the story of a Jewish rice plantation-owning family in South Carolina and the Africans they enslave. His latest collection of short fiction is An Authentic Captain Marvel Ring and Other Stories. With Caroline Marshall, he has edited two volumes of short stories. A new version of his 1986 novel The Grandmothers' Club will appear in March, 2015 as Prayers for the Living.

With novelist Nicholas Delbanco, Cheuse wrote Literature: Craft & Voice, a major new introduction to literary study. Cheuse's short fiction has appeared in publications such as The New Yorker, The Antioch Review, Ploughshares, and The Southern Review. His essay collection, Listening to the Page, appeared in 2001.

Cheuse teaches writing at George Mason University, spends his summers in Santa Cruz, California, and leads fiction workshops at the Squaw Valley Community of Writers. He earned his Ph.D. in comparative literature with a focus on Latin American literature from Rutgers University.

Beautifully made fantastic tales such as Steven Millhauser writes don't begin from nothing. As in the tradition of Nikolai Gogol, Italo Calvino and Gabriel Garcia Marquez (to name a few revered creators of fiction that carries us beyond the normal), most of them grow out of everyday incidents and lead us right up to the line between the ordinary and the magical. And sometimes they help us to cross over.

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AUDIE CORNISH, HOST:

One of Scandinavia's leading crime novelists, Jo Nesbo, has a new book out about a contract killer who worries about money and his own shortcomings. It's called "Blood On Snow." Alan Cheuse has this review.

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KELLY MCEVERS, HOST:

If you like dark and lyrical love stories, Alan Cheuse has a suggestion for you. It's a novel by the Canadian writer Helen Humphreys, set during World War II and its aftermath. It's called "The Evening Chorus."

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With great energy and a cold eye for contemporary American race relations, here comes Joyce Carol Oates with a new novel that shows off her muck-raking credentials. The Sacrifice faces squarely an incident that took place in upstate New York nearly thirty years ago in which a young black girl named Tawana Brawley claimed that a group of white males, mostly police officers, kidnapped her and gang-raped her over a number of days.

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When I picked up Martin Amis' new novel, The Zone of Interest, it felt as though I had touched a third rail, so powerful and electric is the experience of reading it. After years of playing the snide card and giving his great store of talents to the business of giving other people the business, Amis has turned again to the matter of Nazi horrors (he tried to deal with it in a gimmicky way in his 1991 novel Time's Arrow), and the result is a book that may stand for years as the triumph of his career.

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AUDIE CORNISH, HOST:

From NPR News, this is ALL THINGS CONSIDRED. I'm Audie Cornish.

ROBERT SIEGEL, HOST:

And I'm Robert Siegel. Now to 19th-century New Jersey and a new novel. It set among unusually tolerant people. A racially mixed community that offers refuge to independent souls. Alan Cheuse has this review of the novel "Angels Make Their Hope Here" by Breena Clarke.

In a prefatory note to The Last Kind Words Saloon, his first novel in five years, Western writer supreme Larry McMurtry states that he wants to create a "ballad in prose." And he borrows a line from great moviemaker John Ford: "When legend becomes fact, print the legend."

For the historical novelist, the past sometimes seems like one great filing cabinet of material that may lend itself to successful novelization. And in the case of France's so-called "Belle Epoque," the gifted English writer Robert Harris seems to have opened the right drawer. His latest novel, An Officer and a Spy, is set during this period of peace and prosperity between the end of the Franco-Prussian war and the lead-up to the First World War.

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