Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

[This piece describes plot elements of Misery stretching back to the novel that was published in 1987. Hopefully, you've read it by now, or maybe seen the movie, which is also quite good and is 25 years old. The age of both will hopefully earn a bit of indulgence when it comes to talking about plot.]

The hard numbers on Sunday night's Primetime Emmy Awards told a story that could look a little dull to the glancing eye.

This is one in a series of essays running this week and next about the state of television in 2015. The series is based on developments at the recent Television Critics Association press tour in Beverly Hills, Calif., where broadcast and cable networks, along with streaming services like Netflix, presented new and existing shows to TV critics and reporters.

Everybody loves to talk about brands, right? What's more exciting than brands?

This is one in a series of essays running this week and next about the state of television in 2015. The series is based on developments at the recent Television Critics Association press tour in Beverly Hills, Calif., where broadcast and cable networks, along with streaming services like Netflix, presented new and existing shows to TV critics and reporters.

Most of the panel discussions that happen at the Television Critics Association press tour currently underway in Beverly Hills have something critical in common: the panelists are humans. (Please hold your jokes about Hollywood. The critics in attendance have made them all.)

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

AUDIE CORNISH, HOST:

HBO's Silicon Valley ends its second season Sunday night with a finale I have seen and will warn you is so tense that I actually skipped forward a little bit at one point. That's how suspenseful I found it. And remember: it's a comedy.

Sydney Lucas didn't happen to win the Tony Award she was nominated for on Sunday night, but it took nothing away from the fact that she was the highlight of the entire broadcast. Lucas plays Small Alison in Fun Home, the musical adaptation of Alison Bechdel's graphic memoir about her coming of age that won the award for Best Musical. Lucas sang "Ring Of Keys," which tells the story of Alison seeing a woman who ... well, she'll tell you.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

MELISSA BLOCK, HOST:

If you would never watch a television show like "The Bachelor," or if it's your guilty pleasure, well, a new drama called "UnREAL" may be equally appealing.

(SOUNDBITE OF TV SHOW, "UNREAL")

What's upfronts week, anyway?

Upfronts week is when the broadcast networks, in this order and in general, (1) make final decisions about canceling or keeping existing shows, (2) unveil their schedules for the fall and spring seasons, and (3) present their new shows to advertisers to kick off their ad sales. In other words, "Look at this beautiful show! Wouldn't you like to put your beautiful commercial right between the first and second acts?"

What do we know about new shows at this point?

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