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Lynn Neary

Every year at BookExpo, the publishing industry's annual conference, a few books emerge as front-runners in the competition for readers. This year, There There by Tommy Orange is one of those books. Set in Oakland, Calif., it explores the lives of Native Americans who live in cities, not reservations — lives like that of its author, who himself grew up in Oakland.

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There's a well-known Russian folktale, "Snegurochka," that tells the story of an elderly couple who yearn to have a child; they create a little girl out of snow, and she comes to life. In her novel The Snow Child, Eowyn Ivey reimagined that story and set it in her home state of Alaska — and now the story has made one more leap, to the theatre at Washington, D.C.'s Arena Stage.

Novelist Richard Powers lives in a house perched on a hillside, just on the edge of the Great Smoky Mountains National Park. "It's very much a tree house," he says with a laugh. "That's why I live here."

His latest book, The Overstory, brought him to the old growth forests of Tennessee. The novel follows the lives of nine different people, all determined to save ancient trees from destruction. Their lives become entwined as they fight to save virgin forests, with unforeseen consequences.

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Mary Higgins Clark has made a good living off of murder. She creates characters that readers can identify with, then puts them in scary situations — and her fans love it.

Known as the "queen of suspense," Higgins Clark has sold 100 million copies of her books in the U.S. alone, but she didn't publish her first book until she was a widow in her early 40s. When Higgins Clark turns 90 on Christmas Eve, she'll still be turning out two books a year.

Among the many movies opening for the holidays is one with a new take on an old story. The Man Who Invented Christmas, starring Dan Stevens and Christopher Plummer, is about Charles Dickens and the creation of A Christmas Carol. It's a distinctly literary tale — which isn't surprising, since one of the film's producers is a well known bookseller taking his first dip in the world of film.

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Binge-watching your favorite TV show is sometimes compared to reading a really good novel in a single sitting: You tell yourself you'll watch just one more episode. Before you know it, you've watched three, just like you keep moving to the next chapter of a book you just can't put down.

But Matthew Weiner says writing a novel is nothing like writing for TV, and he should know. He's the guy who created the very binge-worthy show Mad Men, and is now trying his hand at being a novelist.

When Ta-Nehisi Coates' new book, We Were Eight Years in Power, was released last week, there was a big party — bigger than most book parties, because this event was also celebrating the launch of a new venture for Chris Jackson, the editor who has helped make Coates famous.

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Back when Amazon first introduced the Kindle, and e-books were all the rage, a lot of people thought printed books and the stores that sell them were going the way of dinosaurs. But a decade later, print is outselling digital, and many independent bookstores are thriving. Even Amazon is opening brick-and-mortar stores (seven so far).

When Kelly Barrales-Saylor was a new mom, she got a lot of children's books as gifts. Most were simple books about shapes, colors and letters. There were none about science — or math.

"My editorial brain lit up and said there must be a need for this," says Barrales-Saylor, who works as an editor for a publishing company outside Chicago.

Halfway across the world, Chris Ferrie was similarly unsatisfied.

When reading to his kids, Ferrie noticed that most books used animals to introduce new words. In today's world, that just didn't make sense to him.

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The Library of Congress today named Tracy K. Smith as the nation's new poet laureate. NPR's Lynn Neary spoke with her about her new role.

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Podcasts — everyone seems to have one. And more and more people are listening to them. At the same time, sales for audiobooks are growing faster than any other segment of the publishing industry.That got me wondering: Are podcasts helping to drive listeners to audiobooks? The answer, as it turns out, is more circular than that.

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