Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

When Gene Demby and I were planning this week's sports discussion, we didn't say, "We should sit down Monday to discuss the U.S. Open." We'd planned to discuss Serena Williams, the most dominant player in women's tennis, who was expected to complete a rare Grand Slam in Saturday's final. (To win a Grand Slam, a player must win the Australian Open, the French Open, Wimbledon and the U.S. Open in a single calendar year. The last woman to accomplish the feat was Steffi Graf in 1988, though Williams had technically won all four majors in a row leading up to this year's U.S. Open.)

The weekend before last, a pro athlete by the name of James Harrison announced on Instagram that he'd returned the participation trophies his kids had received for playing youth sports, writing, "While I am very proud of my boys for everything they do and will encourage them till the day I die, these trophies will be given back until they EARN a real trophy." This has, in turn, spawned a flurry of defenses and condemnations, including Albert Burneko's

In the first two episodes of The Giant Foam Finger — a new, sports-themed offshoot of Pop Culture Happy Hour — NPR Code Switch blogger Gene Demby and I have discussed one play in a decade-old NFL game, and we've tackled the phenomenon of fan hatred.

A couple weeks ago, Code Switch blogger Gene Demby and I sat down to reflect on a decade-old sports moment — a single play in a single game — and describe how it affected us as rival fans of the teams involved. In this second episode of the series we're calling The Giant Foam Finger, the two of us tackle a far unwieldier subject: hatred.

We talk a lot about nostalgia on Pop Culture Happy Hour — about the ways entertainment has shaped our youth and placed our memories in perspective — but in doing so, we've mostly discussed movies, TV shows, music, books, board games, that sort of thing.

This week's taping presented us with a few conundrums: Host Linda Holmes had already begun her vacation, while I know jack-all about the seven accumulated seasons of Mad Men, whose finale we were duty-bound to discuss. Our solution involved a pair of our most beloved guest panelists — Gene Demby and, from a studio in L.A., Barrie Hardymon — and a brief interregnum in poor Linda's vacation. (I stayed home and ate snacks.)

It's hard to divine, on paper anyway, a formula for effectively covering The Beatles' Sgt. Pepper's Lonely Hearts Club Band in its entirety. It's not an album that had been crying out for improvement — to put it mildly — nor has it ever receded far enough toward the cultural margins to require rediscovery. These songs still occupy the ether of the everyday, even for those who've never sat down and studied the record from front to back.

Newport Folk Festival programmers like to close their lineups on a note of uplift; to send fans to the exits feeling elated and moved. On that front, they couldn't have done much better than the great Mavis Staples, whose titanic career has spanned more than 60 years. From her time in the best-selling gospel family band The Staple Singers through her role in the civil rights movement, she's been a face of change and a voice behind some of the most powerful songs in modern history.



At NPR Music, they're wrapping up the year the best way they know how, with their hotly contested list of their 50 favorite albums of 2013. Now, all this week, we'll get a peak of that list from our in-house experts, including NPR Music writer and editor Stephen Thompson, whose beat is the ever amorphous indie pop, which - Stephen, what exactly is that these days?

STEPHEN THOMPSON, BYLINE: I have absolutely no idea. It used to mean accessible but unpopular.



The Avett Brothers
Courtesy of the artist

It hasn't even been 11 full months since The Avett Brothers released The Carpenter, the North Carolina band's most recent collection of poignant and infectious, bluegrass-inflected folk-rock. And, given the lengthy touring cycle that each major album release generally spawns — the Avetts of last month's Newport Folk Festival with songs from The Carpenter — fans had no reason to expect new music this year.