Tom Moon
Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.
He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.
A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.
-
Stream the rock and roll pioneer's final album, featuring appearances by Tom Morello and Gary Clark Jr.
-
Canadian singer and songwriter Feist has just released her first album in six years called Pleasure. Music reviewer Tom Moon says it is intimate, raw and rooted in her personal struggle over the past couple of years.
-
On the Argentine singer's new album, she's reached a zen place where the very texture of a tone becomes its own language.
-
The Nobel Award winner digs into the Great American Songbook for a third time. Stream a selection of songs from the three-disc set.
-
Fans of the Los Angeles native's work with Kendrick Lamar may be surprised to hear the old-school pop sensibilities that define his latest album.
-
The drummer and Virginia native's first solo project, Kinfolk: Postcards From Everywhere, introduces a restless musical spirit.
-
Though Motown's hits were recorded in a studio, newly discovered live recordings of session guitarist Dennis Coffey make the case that the label's iconic sound was forged in Detroit's nightclub scene.
-
During the months he spent on the road in 1966, Dylan refined a way of inhabiting and transforming his own songs that was different from anything he'd done before.
-
The latest album from the Brooklyn-based Balkan party band is a rearrangement of Duke Ellington and Billy Strayhorn's Far East Suite.
-
The particular darkness that defines Cohen's 14th studio album is nearly inescapable, and found everywhere. It's a thick blanket of grim.