If you look at the cover art of new albums by flutists Nicole Mitchell and Anna Webber, you'll see crystals. On Percussive Mechanics, Webber depicts a handful of glass shards carefully arranged as if to create an abstract sculpture. On Aquarius, Mitchell wraps herself in a sting of icicle lights — the kind you see hanging around Christmastime — which is appropriate, as her band is called Ice Crystal.
There are three stages at the Newport Jazz Festival. At least two are always running simultaneously. Given the surfeit of options, it's rare to hear a complete set. The question begins to nag: Should be we somewhere else? And away you go, leaving a work in progress to make sure you don't miss one getting underway.
But sometimes if you choose a spot on the lawn and stay put, the juxtaposition of two bands delivers a fine festival experience. Sunday morning, August 5, 2012, on the Quad Stage is such a time.
On the day after the Supreme Court concluded its epic term in June, two of the supreme judicial antagonists, Justice Antonin Scalia and Justice Ruth Bader Ginsburg, met over a mutual love: opera.
When it comes to constitutional interpretation, the conservative Scalia and the liberal Ginsburg are leaders of the court's two opposing wings. To make matters yet more interesting, the two have been friends for decades, since long before Scalia was named to the court by President Reagan and Ginsburg by President Clinton.
The music of Rodgers and Hammerstein, those inspired by Woody Guthrie, and Cole Porter fill the state this weekend and next. This week's OneSix8 gives you the 411 on each event.
Lyric Theatre continues its 2013 season with another classic musical. This time, a British schoolteacher named Anna moves to Siam in the 1860s as the governess for the King Mongkut’s children in“The King and I.”
She falls in love with the kids but struggles with the differences between British and Siamese lifestyles.
Brass bands often bring New Orleans to mind. But some 1,000 miles away from southeast Louisiana, there's a different kind of brass band at work: the No BS! Brass Band of Richmond, Va.
Since the late 1970s, the brass-band repertoire has morphed into a new sound with the addition of funk, hip-hop and post-bop jazz. With as many as 13 members, No BS! Brass Band picks up on — and expands — that new tradition.
WWNO's Gwen Thompkins on "Ballet Class" by Jason Marsalis
Another month, another great mix of new music chosen by public radio's top DJs. Download an explosive new track from Neko Case, discover the Shabazz Palaces-approved Seattle rapper Porter Ray and get to know Valerie June, one of public radio's frontrunners for Best New Artist of 2013. Grab all 10 of our picks below, as chosen by the following contributors:
Chris Campbell, DJ at WDET's ALPHA channel in Detroit
Lars Gotrich, producer and host of Viking's Choice at NPR Music
Krysta Rodriguez played Ana Vargas in the recently canceled backstage-on-Broadway TV series Smash, and Zachary Levi earned a fervent following in the title role of NBC's Chuck. Both performers have backgrounds in the theater, and they'll be together on Broadway this summer in the premiere of the musical comedy First Date.
You could say George Benson's latest album, Inspiration: A Tribute to Nat King Cole, was conceived decades ago. Benson was just a kid when he first mimicked Cole off the radio, singing his own version of "Mona Lisa" while accompanying himself on the ukulele. He even made a recording.
Exorcistic, a rock parody inspired by a certain1971 novel and the William Friedkin film made from it, showcases Merlin as a rapping priest inspired by Max von Sydow's Father Merrin. Above, the show poster for the musical's Los Angeles fringe production.
Credit Thomas Hargis / Steve Allen Theater
In Re-Animator: The Musical, L.A.-based actor and opera singer Jesse Merlin plays Dr. Hill, a sex-obsessed surgeon who quite literally loses his head. (And, um, comes back from the dead.)
What do a reanimated deviant surgeon, a cannibalistic serial killer and a demon-plagued, vomit-spattered priest have in common? They're all characters in camp stage musicals inspired by horror films — and they're all played by the same classically trained opera singer.
His name is Jesse Merlin, and he looks a little like a young, untanned George Hamilton. But he has a bass-baritone voice that would be perfect for Gilbert and Sullivan.
Since that's not what Hollywood's looking for, Merlin had to scare up roles elsewhere.