IanMcKellen and Patrick Stewart have known each other for years — they were both actors at the Royal Shakespeare Company in the '60s and '70s, and both achieved broader fame through movies and television. Both were knighted by Queen Elizabeth II for their work onstage and off. And then, of course, they were cast as mortal enemies in the first X-Men film 14 years ago, and have come back to the roles of Magneto and Professor X several times since.
"We became good friends as a result of shooting multimillion-dollar adventure movies," Stewart says.
This is WEEKEND EDITION from NPR News. I'm Scott Simon.
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SIMON: The fall season is underway on Broadway. And NPR's Trey Graham may still be a little glassy-eyed, because took in five shows over a three-day weekend. He joins us in our studios. Trey, thanks for making time for us.
Grammy Award-winning musician Esperanza Spalding has a problem with using the phrase "protest song" to describe her new recording, "We Are America." The song, along with its accompanying music video, demands congressional action to close the detention center at Guantanamo Bay.
" 'Protest' doesn't seem accurate to me," she tells NPR's Celeste Headlee. "We weren't thinking of a 'protest' song, we're thinking of a 'let's get together and do something pro-active, creative and productive' song."
Pianist, composer and author Kenny Werner is known for his 1996 book Effortless Mastery: Liberating the Master Musician Within, which has become a university textbook for improvising musicians and other artists. His album of original compositions, No Beginning No End -- a meditation on loss, death and renewal — was awarded a Guggenheim fellowship in 2010.
The color red evokes images, thoughts and feelings.
We live in a red state. Red lipstick on the rim of a glass. Danger is red. Wine that goes great with a medium rare prime rib. Blood is red. In the late 1950s, red was also associated with the work of the artist, Mark Rothko.
Starting Friday night, Oklahomans can get a glimpse of the artist, his passion and struggles as he created some of the most well-known modern art pieces of his time.
Originally published on Wed November 20, 2013 11:59 am
Imagine how celery root feels at the vegetable beauty pageant. Everyone's falling over the tomato, that smug beauty queen. The cameras love elegant long carrots and parsnips, and the radishes blush in the spotlight. People coo over the potatoes even though they're not much to look at, because they're in it for the fries.
But homely celery root hovers by the concessions table with big, unremarkable rutabaga and antennaed kohlrabi.
Working as a jazz musician in the 21st century is difficult enough, but hardly anybody tries to make a go of it with a big band anymore. Yet that's exactly what Ted Nash does on his latest album, Chakra.
Born and raised in Houston, pianist Robert Glasper literally grew up in jazz clubs. His mother performed with a jazz band, and she preferred to bring her young son with her, rather than leave him with a sitter. Glasper and his mother were also active in music at their church — his mother sang and played piano, and by age 12, her son had assumed some of the piano duties.