Originally published on Wed December 4, 2013 7:08 am
When Copenhagen's Noma was named the world's best restaurant a few years ago, it introduced a wider audience to the concept of New Nordic cuisine. A movement that swept Scandinavia (and, subsequently, the rest of the culinary world), New Nordic combines the oft-maligned and little known local ingredients with modern technique and playful vision. Reindeer and lichen, meet Thermomix and Pacojet.
Tenor saxophonist Booker Ervin came to New York in 1958. Pianist Horace Parlan heard him and invited Ervin to sit in one night with a band he worked in. That's how Ervin got hired by bassist Charles Mingus, who featured him on albums like Blues and Roots and Mingus Ah Um.
Mark Rylance as Olivia (right) and Samuel Barnett as Viola in Twelfth Night. The Broadway production, which first played at London's Globe Theatre, is done in the Elizabethan tradition, with an all-male cast.
Credit Joan Marcus /
My kingdom for a horse: In the second play, Richard III, Rylance takes on the part of the ruthless monarch.
Credit Joan Marcus /
In his first-ever Broadway performance, Stephen Fry (right) plays the mistreated steward Malvolio in Twelfth Night.
This season, New York audiences have seen wildly different interpretations of Shakespeare plays. They've seen the Romeo of Orlando Bloom make his first entrance on a motorcycle; they've seen a production of Julius Caesar set in a women's prison.
Now the London-based company from Shakespeare's Globe Theatre has landed on Broadway with what seems like the most radical concept of them all: plays staged in a style Shakespeare would've recognized, with all-male casts, period costumes and live music.
In 1963, the jazz pianist George Shearing, an enormously popular act in his day, made an album that was unusual for him. He asked his new, 20-year-old vibraphone player to write an album of contrapuntal, classical-music-inspired compositions, and recorded them with a woodwind quintet atop a jazz rhythm section. It's out of print now, but Out of the Woods received good reviews, and it remains an early career highlight for its young architect, Gary Burton.
This is WEEKEND EDITION from NPR News. I'm Don Gonyea. Whether or not you're a fan of rock and roll, you've surely heard at least one of the hits by Queen. The British band dominated the airwaves in the '70s and '80s and now their music is rocking the world again, this time in a jukebox musical called "We Will Rock You."
The show has been running in London for a dozen years but now an Americanized version is touring the United States and Canada. NPR's Allison Keyes was at the opening show in Baltimore.
The Red Earth Festival, now in its 28th year will be making a move from downtown Oklahoma City to Remington Park, where the wide open spaces, and that means parking spaces, will be a better fit for all attending.
Eric Oesch has been with the Festival since the beginning, he’s the deputy director for Red Earth Incorporated. He sees this move as a way to make it easier for all concerned.