Haven't had a chance to watch the Oscar-nominated documentary shorts? All Things Considered is here to help. In the week leading up to the Academy Awards, NPR's Audie Cornish talked with the directors of the five short films nominated for best documentary short.
The films tell a range of stories — about a preventable disease that's ravaging Africa and the quiet loneliness of Florida retirees, the vibrant art of a homeless teenager and the hard life of "canners," and finally a salon that helps women with cancer cope with their scars.
Found your note in the crisper. So sneaky! Glad to know you'll miss me more than fresh produce even when you're facing a year's worth of dehydrated broccoli and beefish bits. Spam! Made me smile. And sad. Did you hide more? Didn't mean to find one already. Made me feel like you're still here. But not. Your earthly ghost. Wish I could've hidden notes for you on Mars. Or on the ship. Probably that's a breach of security though.
First of all, I'm not sure you know this, but there's no need for you to say, "Leave a message after the tone," because the automated woman says that immediately after you. It's redundant. I thought you should know.
André Brink is one of the most well-known anti-apartheid writers in South Africa. His latest novel Philida, which was longlisted for the Man Booker Prize, is set in 1832 in the South African Cape, just two years before emancipation.
The title character lodges a complaint against her master, Francois Brink, who is also the father of her four children. He'd promised her freedom, but then backs out and marries a wealthy white woman.
It's been 40 years since Joel Grey won an Academy Award for his role as master of ceremonies in Bob Fosse's movie musical "Cabaret." Grey visited us at NPR this past week. He was in town to deliver his famous top hat, the one he wore in the movie, to the Smithsonian museum. The award-winning actor is surprisingly down to earth. Well, Mr. Grey, thank you so much.
JOEL GREY: Joel.
MARTIN: Joel. Thank you very much. Even so, he brought along a small entourage to our studio, which included a long-haired Chihuahua.
Steven Callahan survived for 76 days adrift in an inflatable life raft. This 2002 photo shows Callahan with an improved life raft he designed after his ordeal. While enduring shark attacks, rain and helpless drifting, Callahan dreamed of a better survival vessel. Once he returned to land, he spent almost two decades designing this one, featuring a rigid exterior, a removable canopy and a sail.
Credit Twentieth Century Fox
Callahan helped actor Suraj Sharma, who played Pi in the film, to convey the psychological distress of being stranded at sea.
In Life of Pi, one of the nine Oscar nominees for Best Picture this year, a boy suffers a shipwreck and is lost at sea. It's a fictional story, of course, based on a novel, but director Ang Lee nevertheless wanted the movie to have depth and realism. But how do you add a realistic edge to someone drifting alone in the sea? For most people, even those in the imaginative business of movie-making, it's hard to picture the perils and isolation of months without rescue.
What would you do if your literary idol came to life — came into your life — and then you couldn't get rid of her? Violet Epps, heroine of the new novel Farewell, Dorothy Parker discovers being a fan isn't the same as being a roommate when Dorothy Parker's spirit rematerializes from an ancient Algonquin Hotel guestbook — and then follows her home.
Author Ellen Meister tells NPR's Rachel Martin that she first encountered Parker's work as a teenager.
Originally published on Mon February 25, 2013 10:40 am
Michael Dirda's latest book is On Conan Doyle.
When I was a boy growing up in the working-class steel town of Lorain, Ohio, I used to ride my beloved Roadmaster bicycle to the branch library. Located in the Plaza Shopping Center, this former storefront was just around the corner from the W.T. Grant's and Merit Shoes. Inside there were perhaps six small tables, a couple of reading chairs, the librarian's checkout desk, and light oak bookshelves along three walls. There can't have been more than one- or two-thousand books.
Open the cover of Domenica Ruta's new memoir, With or Without You, and you'll find a quotation from Kurt Vonnegut: "You were sick, but now you're well, and there's work to do." His quotation foreshadows the woman at the end of this memoir — the one who emerges after a couple-hundred beautifully written, harrowing pages.