Weekend Edition Sunday
Sundays 8 - 10 a.m.
Whether revealing events in small-town America or overseas, or profiling notable personalities, Weekend Edition from NPR News appreciates the extraordinary details that make up every story.
Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. Hosted by NPR's Ayesha Rascoe, every week brings a unique blend of news, features and the regularly scheduled puzzle segment with Puzzlemaster Will Shortz, the crossword puzzle editor of The New York Times.
Latest Episodes
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We add context to answers given by Representative Nancy Mace's interview on the Trump trials.
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NPR's Ayesha Rascoe talks with cyber security specialist Ram Dantu about disruptions earlier this month to 9-1-1 systems in Nevada, South Dakota, and Nebraska.
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As Israel threatens to move on Rafah, Hamas is also adding pressure with the release of a video of two of its hostages. One is an American.
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UNRWA lost international funding after Israel said a significant number of its employees were part of Hamas. An independent review now says Israel hasn't provided evidence to support this accusation.
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Political roasts at last night's White House Correspondent's dinner, plus how the election-year landscape is shaping up for control of each chamber of Congress.
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NPR's Ayesha Rascoe speaks to cyber security expert Timothy Edgar about the legalities of banning TikTok.
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The attorneys general of Arkansas and Tennessee are leading a multi-state lawsuit challenging a new rule that adds abortion to federal pregnancy protections.
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Solar geoengineering — increasing the sunlight reflected back into space to cool the planet — is gaining the attention of people looking for climate solutions. But critics say it comes with risks.
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Chanel Miller talks about her new book for children, "Magnolia Wu Unfolds It All." Set in New York City, it's about a little girl and her friend who reunite people with their lost socks.
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The Tennessee drag law that was struck down last year was written so broadly that it would have forbidden any public performance where actors impersonate someone of another gender.